THE UNSEEN WORLD
There are many things in Knockin' on Heaven's Door
that can't be seen by the unaided eye. Most obvious are the nanomachine-induced
butterflies and the nanomachines/antinanomachines themselves. Though
cash appears at one point in the movie, money tends to be unseen
and transferred electronically. Furthermore, the fact that the movie
emphasizes the traditional meaning of Halloween and discusses the
afterlife should underline the thematic relevance of the unseen
world. What you can't see not only can hurt you, but it very
likely represents a reality "more real" or more important
than the one in which you're currently living. This theme should
come as no surprise to those who have seen the TV series--in particular,
the episodes where Spike ruminates on his dreamlike life, or Session
23 ("Brain Scratch," which immediately follows KOHD).
I have also been building up to it in my previous examinations of
Spike, Vincent, and the use of butterflies.
Though there are some specific religious elements
and images in the series (including but not limited to the Catholic
church in Session 5, the Star of David in Session 23, the nun in
Session 24, and the cross upon Vicious is hung in Session 25), I
don't consider Cowboy Bebop a religious series in even a
broad sense; like many other anime series and movies, it uses elements
of Judeo-Christian religion as literary symbols and references without
explicitly promoting, criticizing, or otherwise dealing with said
theology. However, while it is not a religious series, it is definitely
a spiritual one, and the movie only emphasizes this aspect of the
anime. In the end, Cowboy Bebop is not about bounty hunting
and making ends meet; it's about living life not only for today
and tomorrow, but for the life that follows this one. For Spike
and for Vincent, this life is merely a dream, and they each wake
up from that dream when they die. Where they go Cowboy Bebop
doesn't say, but at the very least the anime causes us fans to think
while we're being entertained: are we living in the real world?
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